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Wagner in Performance 
edited by Barry Millington and Stewart Spencer.
Yale, 214 pp., £19.95, July 1992, 0 300 05718 0
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Wagner: Race and Revolution 
by Paul Lawrence Rose.
Faber, 304 pp., £20, June 1992, 9780571164653
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Wagner Handbook 
edited by Ulrich Müller and Peter Wapnewski, translated by John Deathridge.
Harvard, 711 pp., £27.50, October 1992, 0 674 94530 1
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Richard Wagner’s Visit to Rossini and An Evening at Rossini’s in Beau-Séjour 
by Edmond Michotte, translated by Herbert Weinstock.
Quartet, 144 pp., £12.95, November 1992, 9780704370319
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... The bewildering variety of interests and standards in Wagner scholarship (or what passes for it) is congenitally resistant to study.’ Thus John Deathridge, the leading Wagner scholar of the English-speaking world, at the beginning of his chapter on Wagner research in the Wagner Handbook. If so learned and au courant a scholar as Deathridge is daunted by trying to make sense of Wagner research and interpretation, what about the rest of us? For not only was Wagner both contemptuous of history in general and a constant re-maker of his own history, but the enormous range of materials that have survived him (including, of course, his 15 Operas) has made almost any relatively straightforward approach to him impossible ...

Depicting Europe

Perry Anderson, 20 September 2007

... cosmopolitan order on the basis of international law’ – or, as his compatriot the sociologist Ulrich Beck puts it, ‘Europeanisation means creating a new politics. It means entering as a player into the meta-power game, into the struggle to form the rules of a new global order. The catchphrase for the future might be: Move over America – Europe is ...

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